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The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic Tradition, by David Punter
Download Ebook The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day, Vol. 1: The Gothic Tradition, by David Punter
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The first edition was regarded as the definitive survey of Gothic and related terror writing in English. No other text considers this genre on such a scale and covers the theoretical perspectives so comprehensively. In the latest edition, the broad range of theoretical perspectives has been enlarged to include modern critical theories. Volume One is a thoroughly updated edition of the original text, covering the period from 1765 up to the Edwardian age, exploring the richness and literary diversity of the gothic form: from the original eighteenth-century gothic of Ann Radcliffe to the melodramatic fiction of Wilkie Collins.
- Sales Rank: #1820718 in Books
- Published on: 1996-01-12
- Released on: 1996-01-10
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .50" w x 5.50" l, .65 pounds
- Binding: Paperback
- 248 pages
Amazon.com Review
This two-volume set (the other half is Volume 2: The Modern Gothic) by David Punter is more than simply a history of the gothic form in American and British literature. It's an ambitious attempt to redefine the word gothic so that it encompasses most of fantastic fiction and film for the past 200 years under a unifying theme: a preoccupation with fear. This is, of course, an extremely broad definition, so don't be surprised if you find yourself taking the theoretical sections of the book with a grain of salt. Also, since the book was first written in the late 1970s, much of the discussion of language and symbol relies on rather outdated Marxist and Freudian theories. Punter apologizes for the latter in the preface to the second edition, saying that rather than doing a massive revision, he decided to "leave it largely as an 'unrestored' period piece, with its own characteristic style, silhouette, and mood"--while adding additional material on the contemporary gothic.
Those caveats aside, however, The Literature of Terror is mostly successful as a comprehensive study. And it's an enormously useful reference for anyone with a more than passing interest in horror literature. Plus, it benefits from being the work of a single author: Punter is an extremely well-read scholar who perceives fascinating connections between a wide variety of books and films, and he explains his ideas lucidly enough that you can judge for yourself how far you agree with them.
Some of the high points are Punter's overview of what the word gothic means in other fields (such as architecture); his summaries of the roles of graveyard poetry, the sentimental novel, and the theory of the sublime in the development of the gothic concept; and his inclusion (as gothic and even horror writers) of such notables as Isak Dinesen, William S. Burroughs, Thomas Pynchon, J.G. Ballard, Angela Carter, Thomas Hawkes, and Robert Coover. If that's not enough to tempt you, the footnotes and bibliography alone offer ample yet well-chosen pointers to authors whose entertaining fiction you may not have discovered yet.
Best of all, The Literature of Terror is written in English--that is, not loaded down with annoying words such as transgressive and trope that mar so much of postmodern criticism. You can browse for information about specific authors or dip into it at your leisure without losing the thread. And for an academic work, it's darn fun to read. (Be sure to get both Volume 1 and Volume 2.) --Fiona Webster
From the Back Cover
The text provides an interpretative base for readers seeking a greater understanding of gothic writing and the literature of terror.
About the Author
David Punter is Professor of English at the University of Bristol, UK.
Most helpful customer reviews
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David Punter's historical approach to Gothic literature reads like the finest page-turner of the genre he studies. For fans of horror and Gothic, this book will show them exactly how and why it is that they keep coming back to books like Frankenstein and Dracula. In addition, it might introduce them to new writers they've not yet read. An excellent work of criticism.
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