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Nominated for three 2010 Will Eisner Comic Industry Awards: From Creation to the death of Joseph, here are all 50 chapters of the Book of Genesis, revealingly illustrated as never before.
Envisioning the first book of the bible like no one before him, R. Crumb, the legendary illustrator, reveals here the story of Genesis in a profoundly honest and deeply moving way. Originally thinking that we would do a take off of Adam and Eve, Crumb became so fascinated by the Bible’s language, “a text so great and so strange that it lends itself readily to graphic depictions,” that he decided instead to do a literal interpretation using the text word for word in a version primarily assembled from the translations of Robert Alter and the King James bible.
Now, readers of every persuasion―Crumb fans, comic book lovers, and believers―can gain astonishing new insights from these harrowing, tragic, and even juicy stories. Crumb’s Book of Genesis reintroduces us to the bountiful tree lined garden of Adam and Eve, the massive ark of Noah with beasts of every kind, the cities of Sodom and Gomorrah destroyed by brimstone and fire that rained from the heavens, and the Egypt of the Pharaoh, where Joseph’s embalmed body is carried in a coffin, in a scene as elegiac as any in Genesis. Using clues from the text and peeling away the theological and scholarly interpretation that have often obscured the Bible’s most dramatic stories, Crumb fleshes out a parade of Biblical originals: from the serpent in Eden, the humanoid reptile appearing like an alien out of a science fiction movie, to Jacob, a “kind’ve depressed guy who doesn’t strike you as physically courageous,” and his bother, Esau, “a rough and kick ass guy,” to Abraham’s wife Sarah, more fetching than most woman at 90, to God himself, “a standard Charlton Heston-like figure with long white hair and a flowing beard.”
As Crumb writes in his introduction, “the stories of these people, the Hebrews, were something more than just stories. They were the foundation, the source, in writing of religious and political power, handed down by God himself.” Crumb’s Book of Genesis, the culmination of 5 years of painstaking work, is a tapestry of masterly detail and storytelling which celebrates the astonishing diversity of the one of our greatest artistic geniuses.
Nominated for three 2010 Will Eisner Comic Industry Awards: Best Adaptation from Another Work, Best Graphic Album, Best Writer/Artist.
- Sales Rank: #45088 in Books
- Brand: Crumb, R.
- Published on: 2009-10-19
- Original language: English
- Number of items: 1
- Dimensions: 11.20" h x 1.00" w x 8.90" l,
- Binding: Hardcover
- 224 pages
From Publishers Weekly
Far removed from the satirical reimagining some might expect from the father of underground comix, Crumb's long-awaited take on the first book of the Bible presents the artist's own sensitive, visually intense reflections. Where most visual adaptations edit down their prose sources, Crumb has, strikingly, included every word of the Book of Genesis within his first major book-length work. His humanistic visual response to this religious text imbues even briefly mentioned biblical characters with unique faces and attitudes, and his renderings of the book's more storied personalities draw out momentous emotions inspired by the book's inherent drama. Throughout, Genesis is a virtual portfolio of Crumb's career-long effort to instill fluid cartoon drawing with carefully rendered lifelike detail. Some might miss Crumb's full stylistic and tonal range, but the source's narrative sweep includes moments of sex and scandal that recall the artist's more notorious comics. Indeed, this monumental visual adaptation's basic strategy may subvert simply by demanding a reconsideration of its source, one that continues to motivate the complex cultural struggles that have, for decades, preoccupied this master cartoonist's landmark work. (Oct.)
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Review
“Starred Review. Crumb’s vivid visual characterizations of the myriad characters, pious and wicked, make the most striking impression. His distinctive, highly rendered drawing style imparts a physicality that few other illustrated versions of this often retold chronicle have possessed. The centenarian elders show every one of their years, and the women, from Eve to Rachel, are as solidly sensual as any others Crumb has so famously drawn.” (Booklist)
“To say this book is a remarkable volume or even a landmark volume in comic art is somewhat of an understatement.... stands on its own as one of this century’s most ambitious artistic adaptations of the West’s oldest continuously told story.” (Paul Buhle - The Jewish Daily Forward)
“It’s a cartoonist’s equivalent of the Sistine Chapel. It’s awesome. Crumb has done a real artist’s turn here―he’s challenged himself and defied all expectation. ... I’ve read Genesis before. But never have I found it so compelling. By placing it squarely in the Middle East―and populating it with distinctively Semitic-looking people―Crumb makes it come alive brilliantly.” (Susan Jane Gilman - Morning Edition, NPR)
“[A] beautifully drawn and relentlessly faithful rendition of the first 50 chapters of the Bible by an apostle of the 1960s and sometimes profane progenitor of underground comics. Crumb has produced what could be the ultimate graphic novel.” (David Colton - USA Today)
About the Author
Born in Philadelphia, R. Crumb is the author of numerous comic works and one of the pioneers of underground comics. His books include Kafka, The Complete Crumb Comics (17 volumes), The R. Crumb Sketchbook (10 volumes), R. Crumb Draws the Blues, The Book of Mr. Natural, The Book of Genesis Illustrated by R. Crumb, and many more. He lives in the south of France with his wife, the artist Aline Kominsky-Crumb.
Most helpful customer reviews
249 of 256 people found the following review helpful.
For Those Who Love Crumb
By Morgan C. Valley
Sorry to disagree with the previous review, but I think it needs to be said...if you love Crumb's art, you will love this book. I am stunned at the sheer volume of work it took to illustrate the thing. Awestruck, really. I've always loved Crumb's art and work, at first (when I was young) because he seemed so twisted and funny, but later, because I realized what a truly fine artist he is. I say, never mind the "is it passionate" crap.
In March of '09, some online articles were calling this upcoming work "subversive"... Not so. There's no intent to be comical here...or to insult Judeo-Christian theology. It seems, in every sense, to be a legitimate illustration of the Book of Genesis. And, I found it beautiful, because Crumb's attention to visual detail is beautiful.
Crumb relies on two sources for the translation including the King James version, and more so, Robert Alter's "The Five Books Of Moses". So, sure, there may be some disagreement in translation for individuals who are version specific. I would suggest we look past that and just enjoy the book for its merits and Crumb's talent.
One should be aware that a few panels may be considered "steamy" for younger children. Some nudity appears and, for instance, when in Chapter 19 it is written that Lot's daughters gave their father wine to drink and then lay with him, Crumb illustrates it. It is my belief, however, that Crumb's intent here is simply illustration, not subversion.
At any rate, it is an amazing work of art, not to mention a book of many important stories.
102 of 105 people found the following review helpful.
A cartoonist's Sistene Chapel
By Steve Reina
When R. Crumb set out to create an illustrated Genesis, he planned two years for the project.
Five years later we have what amounts to a cartoonist's answer to the Sistene Chapel, audicious and bold I guess in the same way that great art always seems to be audacious and bold.
For those who would suggest that the work satirzes its material or attempts to demean the underlying Biblical text I would suggest they re-read their Genesis. Where the Bible says Judah had relations with his daughter Tamar thinking her a cultic prostitute, the illustrations show Judah having relations with Tamar thinking her a cultic prostitute. Where the Bible says Lot while drunk had relations with each of his daughters in a cave, the illustrations show Lot while drunk having relations with each of his daughters in cave.
In this way, and with all due respect, those offended by Crumb illustrations should probably in fact be offended by the text as well.
If this material was noteworthy only for its prurient value, it would be easy to dismiss but the work is filled with nuance and mood reflecting the nuance and mood of the underlying text. For example, the anxious confabulation of Adam and Eve when confronted by God for eating of the tree of the knowledge of good and evil is readily revealed in their faces (including a glance of reproof by Eve at having been blamed by Adam). Later we see Abraham in sorrow as he contemplates the problems of his people, dimly depicted as the hallow faced of the Holocaust we have become so familiar with.
In all this work ably succeeds in doing what it set out to do: to provide an illustrated version of Genesis. That it was produced by an atheist does not rob it of any of its artistic potential nor does it prevent us from appreciating it on whatever level we may choose to do so.
38 of 40 people found the following review helpful.
The Book of Genesis, Illustrated by R. Crumb- a loving tribute
By R. Ogden
As soon as I received my copy of Crumb's masterpiece, four years in the making, I knew I would want to review his creation, taking the opportunity to share my appreciation for the strange, insightful man who visualized this important story and breathed life into it, like Yahweh did to the mud-man.
It is important to be clear that this is not a "comic book" version of Genesis for kids, paraphrasing and simplifying the story, leaving out the disturbing parts. Nor is it an irreverent, witty satire a la Monty Python. No, as Crumb says in the introduction, his basic approach was that of an illustrator, not of a redactor, or paraphraser. He takes the story as given to him. But the illustrator picks and chooses what to draw, which images the writings bring to his or her mind, and how to render the material. As near as I can tell, an essentially complete English text of Genesis is here, and it is the source of all written material, except for Crumb's footnotes which he adds to explain the Hebrew original.
It should be pointed out early in this review that illustrating Genesis certainly gives R. Crumb a chance to draw voluptuous, high-breasted women with big fine legs and bubble butts. Well, I'm sure he had some fun with this aspect, and the project certainly gave him a chance to indulge it. Because there is plenty of sex in Genesis; Crumb illustrates the text, never inventing any gratuitous lust. It certainly reminded me how much Genesis is concerned with procreation, marriage, and whose children were whose. Up until after the Flood, Yahweh's only command is 'Be fruitful and multiply.' So Crumb's proclivities were appropriate to this project, and faithful to the text. There is nothing 'dirty' in any thing he draws in this book. Also, I rather think that Crumb's rendering of the women of the time was rather close to what people of the day would have thought fine-looking, robust, healthy women should look like.
And it is so obvious that Crumb loves these women. The book is dedicated to his wife Aline, and whatever Crumb's conscious intent, I believe that in part it was because he truly loves Aline and her body type, and her Jewishness. Crumb's earlier work shows a fascination with Jews, a mixture of bewilderment, admiration and respect. He also understands anti-Antisemitism. I feel that illustrating Genesis was a tribute to Aline and her heritage (which seems to interest him more than it does her), and Crumb's tribute to the heritage left to us by the Patriarchs and Matriarchs that has affected all of us so profoundly, believers or not.
But he creates individuals, not stereotypes. Eve, Sarah, Hagar (not all the women are buxom beauties), Lot's daughters... Rebekah, Leah, Rachel, and their handmaidens Zilpah and Bilhah, who before seeing Crumb's drawings were just names to me- all these marvelous, interesting, and very human women are portrayed as strong, clever , and capable of deceit to achieve their ends. The expression of Rachel's face when she lies to her father, excusing herself from rising because of her period, while concealing the household idols she had stolen from him, is priceless, Crumb at his best.
As an appendix Crumb includes his own midrash, a commentary which is both scholarly (but not ponderous) and revealing, at least somewhat, about the illustrator's motives and options. His comments on chapter 12 refer to the work of Savina Teubel, and he suggests that some of what we read in Genesis are remnants of the struggle between patriarchy and matriarchy. This is certainly a question worthy of further exploration. R. Crumb did not take this project lightly, and he did some scholarly homework and, dare we say, spiritual work in preparation for this project.
Crumb's illustrated book is entertaining and fun, and as an interesting coffee table art book, it is a good buy; there's a lot of good drawing for the money. But we can ask: what does it offer, if anything, to the believer who wants to understand Genesis better? Well, as I have said, the illustrations helped me visualize situations that had been incomprehensible to me. I'm not saying that Crumb always got it right, but his vision is certainly a possible one. Crumb's illustrated Book of Genesis could be useful for an adult Bible study, or a program like Education for Ministry. Some people no doubt will feel that his drawing of the patriarchs and matriarchs making love, or being less than admirable, is disrespectful. Well, blame the author of Genesis, not Crumb. A serious study of Genesis and its dysfunctional if not murderous families should make us reflect on what we really mean by "Biblical Family Values".
I also believe that Crumb portrays spiritual struggle very well, and reveals the flawed patriarchs as men of deep faith who responded to God's call. He portrays the women as strong individuals (if not quite matriarchs) with their own desires and agendas. In spite of their weaknesses and flaws, there is a lot of love in Genesis- love of God, wife, sons, family, brothers, friends- and Crumb's illustrations picture it well. I feel too that lots of his own love, especially for Aline and her heritage, spills onto the page- not gushing sentimental treacle, but the passions of our spiritual fathers and mothers.
I hope Crumb illustrates Exodus, and I would like to see him do the Gospel of Matthew and the Book of Revelation; but I can imagine that such projects are so draining we may not see much from him for awhile. Thanx, Robert. Bless you. Keep on truckin' .
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